Off-campus Michigan Tech users: To download campus access theses or dissertations, please use the following button to log in with your Michigan Tech ID and password: log in to proxy server
Non-Michigan Tech users: Please talk to your librarian about requesting this thesis or dissertation through interlibrary loan.
Date of Award
2019
Document Type
Campus Access Master's Thesis
Degree Name
Master of Science in Rhetoric, Theory and Culture (MS)
Administrative Home Department
Department of Humanities
Advisor 1
Marcelino Viera-Ramos
Committee Member 1
Kette Thomas
Committee Member 2
Abraham Romney
Abstract
This thesis analyzes how neoliberalism appropriates the cultural production of the Río de la Plata (Uruguay and Argentina) in order to feed its narrative and neutralize the minor stories that emerges from this South American region. These stories allow one to visualize other possible futures, and by appropriating them neoliberalism presents itself as the natural way to organize the world and as the only political option available. In order to explore how the neoliberal cultural appropriation works, this thesis examines two cultural artifacts: Gustavo Espinosa 2009 short novel Carlota podrida and Gastón Duprat and Mariano Cohn 2016 film El ciudadano ilustre. Both are works of fiction that are explored following the concept of posthegemony, which helps readers to understand the political conjuncture from the limits of the Marxist dialectical model that describes the reality in a binary way. This thesis takes off from the assumption that the Marxist dialectical model might show some signs of exhaustion, and therefore there is a need for other theoretical frameworks—such as the one proposed by posthegemony—to understand the new political context.
Recommended Citation
Larramendi Salvat, Matias, "STORIES FEEDING HISTORY IN THE RÍO DE LA PLATA: NEOLIBERAL CULTURAL APPROPRIATION IN ESPINOSA’S CARLOTA PODRIDA (2009) AND COHN AND DUPRAT’S EL CIUDADANO ILUSTRE (2016)", Campus Access Master's Thesis, Michigan Technological University, 2019.